视频简介
马蒂（麦克·宾德尔 Mike Binder 饰）拥有着旁人眼中的完美生活，他的妻子罗拉（玛瑞儿·海明威 Mariel Hemingway 饰）性感而又美艳，两人的婚姻美满而充满了幸福。然而，马蒂对床上那点事却始终感到有一丝丝的遗憾，他不断的反复劝说妻子，想要来一次充满了刺激的“三人行”。 终于，经不住马蒂的软磨硬泡，罗拉终于答应了丈夫的要求。夫妻两人和另一个女孩自己经历了不可描述的火热一夜。让马蒂没有想到的是，罗拉竟然就此陷入了漩涡之中无法自拔，变成了一个整日里欲求不满的女人，不断的勾引和诱惑着每一个她能够接触到的女孩。当马蒂发现自己在性爱中渐渐沦为了可有可无的替代品后，他会做出怎样的选择呢？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。布莱德（威尔·弗里德尔 Will Friedle 饰）和自己迷人可爱的小女友布鲁克（玛丽·谢尔顿 Marley Shelton 饰）交往已经有一段时间了，两人一直都没有上过本垒。这一次，布莱德得到一个难能可贵的机会，要去布鲁克家里帮她补习功课，当晚布鲁克的父母都不在家，到那时候会发生什么事情小两口都心里有数。 激动人心的一刻终于到来了，可就在两人都干柴烈火之际，布莱德发现自己竟然忘记准备保险套了！没有安全措施的性行为是绝对不行的，因此，布莱德忍住了火烧火燎的欲望，离开了布鲁克家去买保险套。这本来应该是一件非常简单的事情，哪知道布莱德却就此踏上了一条“不归路”。。
