视频简介
《枪娘》主要讲述的是失去战斗记忆的主角凯瑞寻找自我，并最终“觉醒”的故事。2025年至2030年之间，一场波及全人类的世界大战致使一半人口遭到毁灭，而人类已经无法控制战争的走向，为了夺取最后的胜利，犹如游戏般的无人战斗逐渐激化，战争已经变成：卫星镭射、无人机轰炸、智能AI、无人多炮塔坦克群之间的战场……然后，这里还有一群使用已经落后于时代的枪械进行战斗的少女——枪娘。时间回到过去。飞来地球的“智能的宇宙生命精神体”，为了躲避同类的追捕，跟附近的武器商人仓库里的“无机物”M4A1相融合。辗转之中，“M4A1”流落到某都市的军事宅少年手里，少女把“M4A1”拿回家，跟她说话，关爱她，小心的擦拭她，宇宙生命体再次开始活动。为了响应青年的感情，枪（宇宙生命体）自主的变身为美少女，青年管变为人形的枪叫“凯瑞”。然而，知道了凯瑞存在的几大国家，开始了凯瑞的捕获竞争，青年为了保护凯瑞而死去。人类开始了对“枪娘”凯瑞的研究。巴雷特、沙莎等人就是研究的推进产品，通过对凯瑞的研究，人类科技得到长足发展，进入了太空时代。 赌上宇宙圈的霸权，各大国家的世界大战爆发，“世界大战”正式展开。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。