视频简介
一个平凡的意大利小镇上，中年男子马塞洛开着一家名为“dogman”的宠物清洁店。马塞洛是一个好人，他尊重弱小，认真工作，在友人邻里中有着不错的人缘。虽然女儿跟随前妻生活，但他依然和女儿保持着良好的父女关系。表面上看，马塞洛就是一个地道、平凡的老实人。但他却有着诸多损友，西蒙就是其中之一。他出狱后开始在街区内敲诈勒索，很快便扰乱了当地的平静，最终害得马塞洛入狱。出狱后，马塞洛被歧视、谩骂。他去找西蒙求助，却被粗暴对待。至此，马塞洛“醒悟”了，他装出一副讨好的样子，设计西蒙被关进狗笼。他只想要一个道歉，但西蒙在反抗时却意外身亡。马塞洛平静下来，拖着西蒙的尸体出街，为了证明自己讨回了公道。然而，小镇上的人纷纷离去，只留下愤怒、哀伤、麻木又茫然的马塞洛。。该片讲述毒贩抚养其劫持的女孩小安长大后，两人相爱并结为夫妇，在警察的追捕、黑帮追杀及小安父亲的怨恨等重重包围下试图绝境求生的故事。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。
