视频简介
Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。查迪拉和里达这对兄弟为了离开雅典,省吃俭用买了假护照。但是,当里达染上毒瘾,花光了他们辛苦赚来的钱时,查迪拉想出了一个极端的计划,他们要冒充走私犯并劫持人质,以此来脱离这片绝望之地。这部影片讲述了逃亡中的人如何在丧失权利的情况下,被迫过上一种人性被彻底瓦解的生活。导演马赫迪·弗莱费尔多在作品中探讨移民身份及社会不公的议题,他的纪录片《不是我们的世界》曾获第63届柏林电影节和平电影奖,短片《归来的男人》获第66届柏林电影节短片评审团奖。本片是他的剧情长片首作,依然延续其对移民生活的关注,入围今年戛纳电影节导演双周单元。。